适合初中生看的经典英文电影

适合初中生看的经典英文电影动画片

《四眼天鸡》

《丛林的反攻》

《浪漫的老鼠》

《小布什美国公民》

《虫虫特工队》

《圣诞惊魂夜》

《高卢英雄大战维京海盗》《变身国王》

《爱丽丝梦游仙境》

《机器人历险记》

《机器人9号》

《闪电狗》

《极地特快》

《鬼妈妈》

《一个音乐家》

《我在伊朗长大》

《机器人瓦力》

《花木兰1、2》

《钟楼怪人1、2》

《玩具总动员1、2》

《星银岛》

《小美人鱼1、2》《埃及王子》

《美女与野兽1、2》《小鸡快跑》

《星际宝贝1、2》《冰河世纪1、2》《歪转骑士》

《料理鼠王》

《蜜蜂总动员》

《狮子王》

《怪物公司》

《篱笆墙外》

《别惹蚂蚁》

《怪兽屋》

《汽车总动员》

《鼠来宝》

《霍顿与无名氏》《鲨鱼黑帮》

《怪物史瑞克1、2》《超人特工》

《马达加斯加》

《海底总动员》《超级无敌掌门狗》《阿拉丁》

《风中奇缘》

《亚瑟迷你王国》《邪恶新世界》《鼠国流浪记》《宝莲灯》

《快乐大脚》

《疯狂农场》

《僵尸新娘》

《小马王》

《荒野奇兵》

《忍者神龟》

《变形金刚》

《河童之夏》

《蒸汽男孩》

《小战象》

《金钻鼠王》

《冲浪企鹅》

《蝙蝠侠》

《风云决》

《梁山伯与祝英台》

《功夫熊猫》

《女孩，你的一分钟有多长》

《秒速5厘米》

《阿童木》

《千与千寻》

《天空之城》

《猫的报恩》

《幽灵公主》

《梦幻街少女》

《海潮之声》

《风之榖》

《红猪侠》

《魔女宅急便》

《再见萤火虫》

《哈尔的移动城堡》

《十七岁的单车》《花季雨季》《长大》《放牛班的春天》《女人香》《天堂电影院》《放牛班的春天》等

十大励志电影：

1、《肖申克的救赎》很喜欢安迪放MOZART的《费加罗的婚礼》那段，圣洁高亢的女高音穿云裂帛久被牢牢禁锢的人们呆住了。他们可能不知这是什么音乐，可是对美的感觉，对自由的渴望，每个人都是一样。人们抬头望着碧蓝无垠的天空，美好的情愫随美妙的音韵四处飘荡，镜头缓缓升起，摇过，芸芸众生就在广场上抬头仰望，那么专注，那么深情，没有十恶不赦的罪犯，没有暴虐无行的狱警，人们复归平等与和睦，人们找到生命的生存的极至和本源。虽然好莱坞化，我喜欢对人性的探究，人性的张扬。安迪沉醉了，安迪忘记了自己私放音乐的危险。他幸福地在典狱长的椅子上闭目静听。后来，他被关了两

个星期的独囚。可是这感觉，永留囚徒与观者的心中。JIMROBINS，可爱的大孩子形象。现代版本的《基督山伯爵》，曾经一度成为我最大的精神支柱。这部1995年拍摄的片子，无论从各方面讲都是经典中的经典，情节的紧凑，主题的深刻，演员的阵容，音乐的配合，所以获得了8项奥斯卡提名，更成为影迷心中的励志经典。当安迪在雷电风雨交加的夜晚爬出监狱下水道和排泄管后，脱去衣衫，伸出双臂去拥抱自由的风雨的时候，相信观众都有些热血沸腾吧。

2、《阿甘正传》美国近代史的缩影。无需多言的经典，也是当年《肖申克的救赎》的强劲对手。"人生就象一盒巧克力......"经典的台词。

3、《勇敢的心》史诗般的片子，主题深沉凝重却又不失轻快，场面宏大，视觉和音乐效果一流，优美流畅。虽然最后结局令人遗憾，但其悲壮程度足可以感染所有的观众。"自由！"梅尔吉普森林行刑前的呐喊，至今响彻在耳边。

4、《美丽心灵》影评人说"2000年的奥斯卡最佳影片给了《美丽心灵》而不是《指环王》，证明奥斯卡还没有堕落。" 学过经济学的人都知道，什么叫做"那什均衡"。该剧就是根据经济学家那什的真人真事改编，一个80岁时凭自己20岁的理论获得诺贝尔经济学奖的人。一个伟大的学者，一个生活的强者，一辈子都在和自己严重的幻想症做斗争。自:https://www.docsj.com/doc/6c474261.html,

5、《百万美元宝贝》对于整个电影，正如导演伊斯特伍德所说，"这不是一个关于拳击的故事，而是关于希望、梦想和爱的故事"，看过这部电影，相信大家就会知道今年奥斯卡典礼上的大获全胜真的是实至名归。

6、《心灵捕手》一部好的电影总是能在不经意间将你打动，或者说，一部好的电影是需要慢慢欣赏和体味的，《骄阳似我》并没有花费太多时间在展示威尔如何天资聪颖上，而是把笔墨主要放在了桑恩教授与威尔从最初的略显敌对到慢慢了解，直至帮助他找寻到了自己人生目标的过程。影片牵涉甚广，爱情、友情、均有提及，正如一杯浓郁的黑咖啡，只有细细品尝，方能享受到其中的浓浓香味!

7、《黑暗中的舞者》一部震撼心灵的影片，具有深渊一般的穿透力，歌舞片中少有的经典。现实与理想，执著与信念，主题深刻的让人窒息。DANCERINTHEDARK！唯美而质朴的伟大赞美诗！

8、《喜剧之王》所有周星驰的影片中，最喜欢的一部。小人物的辛酸历程，周星驰自己的真实的写照。"如果人活着没有理想，那么和咸鱼有什么分别？"

9、《千钧一发》尽管有人评价《千钧一发》的结局最终落了俗套，但这丝毫没有影响

其成为一部优秀的主流励志电影。这部电影告诉了我们这样一个道理，你可以不了解你自己，但你必须相信他（她），因为一切皆有可能。

10、《飞跃颠峰》加上史泰龙的这部片子好像有些奇怪，其实我一直十分偏爱史泰龙这个演员，总觉得他与一般的好莱坞动作明星不同，片子里总有些让人奋进的东西，像《第一滴血》、《洛奇》等。《飞跃颠峰》是比较容易被忽略的一部，在这部影片中，史泰龙饰演一位长途货车司机，为了重新得到儿子而拼尽全力，并且意外地获得扳手腕冠军。个人觉得这是他个人表演最为成功的一部电影，不但是一部励志动作片，同时也是一部感人至深的亲情片，远远超出了动作片的惯定范畴，尤其是他与小演员亨利配合默契，父子感情的真挚让无数影迷流下了眼泪。

100部经典电影推荐

全球电影史上100部经典电影推荐 1、《教父》The Godfather 1972年科波拉黑帮经典《教父》的首部，派拉蒙公司最成功的影片之一，坐稳IMDB头把交椅应属众望所归。虽然评论界一致对《教父》系列的第2集推崇有佳，但大多数影迷似乎还是对《教父》情有独钟，这可能与马龙·白兰度极具个人魅力的表演有关，直到今天他那种含糊沙哑的声音与神秘莫测的表情都依然叫人着迷。 2、《肖申克的救赎》The Shawshank Redemption 1994年这部被称为《刺激1995》的影片在中国影迷间也有极好的口碑，可见电影超越国界的神奇之处。 3、《辛德勒的名单》Schindler’s List 1993年斯皮尔伯格在《大白鲨》、《夺宝奇兵》、《外星人》、《紫色》四次与奥斯卡失之交臂后，终于在辛德勒和无数犹太难民的帮助下捧得金像。 4、《公民凯恩》Citizen Kane 1941年无需多言的电影里程碑，神童奥逊·威尔斯可一不可再的惊世之作。 5、《卡萨布兰卡》Casablanca 1942年永远的《北非谍影》，永远的英格丽·褒曼 6、《教父续集》The Godfather: Part II 1974年《教父续集》中科里昂尼家族兴起的历史与麦克血腥的奋斗形成了完美的对仗，这种平行蒙太奇的运用深得评论界的赏识，此片的成功也巩固了艾尔·帕西诺和罗伯特·德尼罗两位意裔影帝的地位。 7、《七武士》Shichinin no samurai 1954年这可能不是大师黑泽明最出色的作品，但确实是他最好看的作品，它对世界电影的影响早已不是一个简单的东方武侠故事。 8、《星球大战》Star Wars 1977年对每个出生于50到70年代的美国人而言，他们几乎都喜欢被人被称作"Star Wars Generation"（《星球大战》的一代），星战系列应该是拥有影迷人数最多的系列电影了，还记得99年推出《星战前传》时掀起的狂潮么？ 9、《美国美人》American Beauty 1999年这部电影能入选到TOP10有点叫人惊讶，美国特有的中产阶级影片。 10、《飞跃疯人院》One Flew Over the Cuckoo’s Nest 1975年米洛斯·福尔曼和杰克·尼克尔森两人共同的颠峰，一堂影视表演的必修课。 11、《奇爱博士》r.Strangelove 1964年库布里克讽刺冷战的黑色幽默经典，"未来三部曲"的首部，对一个没有那段历史经历的中国观众而言，此片未必会得到这样的高分。 12、《卧虎藏龙》Wo hu zang long 2000年李安真的拍了部了不起的电影。 13、《后窗》Rear Window 1954年8.6 希区柯克的经典，詹姆斯·斯图尔特和格蕾丝·凯莉的搭配就如同现今布拉德·彼特和朱丽娅·罗伯茨合作一样抢眼。

学英语必看的100部英文电影

Classical Movies： 《罗密欧与朱莉叶》“Romeo and Juliet” 《罗马假日》“Roman Holiday” 《真假公主》“Anastasia” 《教父》“The Godfather” 《魂断蓝桥》“Waterloo Bridge” 《乱世佳人》“Gone With the Wind” 《音乐之声》“Sound of Music” 《阿甘正传》“Forrest Gump ” 《雨人》“Rain Man” 《卡萨布兰卡》“Casablanca” 《呼啸山庄》“Wuthering Heights” 《简爱》“Jane Eyre” 《宾虚》“ Ben-Hur” 《汤姆叔叔的小屋》“Unc le Tom's Cabin”《特洛伊》“Troy” 《傲慢与偏见》“Pride And Prejudice” Animations： 《快乐大脚》“Happy Feet” 《美女与野兽》“Beauty and B east” 《加菲猫》“G arfield” 《冰河世纪》“Ice age” 《马达加斯加》“Madagascar” 《功夫熊猫》“Kungfu P anda” 《小鸡快跑》“Chicken Run” 《狮子王》“The Lion King” 《海底总动员》“Finding Nemo” 《玩具总动员》“Toy Story” 《绿野仙踪》“The Wizard of Oz” 《小鬼当家》“Home A lone” 《蜘蛛侠》“Spider M an” 《外星人》“E.T” 《查理和巧克力工厂》“Char lie and the Chocolate Factory” 《金银岛》“Treasure Island” 《恐龙世纪》“Dinosaurs” 《变形金刚》“Transformers” 《怪物史莱克》“Shrek ” Y outh Movies： 《魔法保姆》“Nanny Mc Phee” 《总统千金欧游记》“Chasing Liberty” 《美人鱼》“Aquamarine”《劲歌飞扬》“Raise Y our V oice” 《甜心辣舞》“Jessica Alba” 《对此承诺》“Pledge This” 《怪女孩出列》“Odd Girl Out” 《歌舞青春》“High school musical” 《魔法灰姑娘》“Ella Enchanted” 《魔法奇缘》“Enchanted” 《灰姑娘的玻璃手机》“A Cinderella Story”《儿女一箩筐》“Cheaper by the Dozen”《冰雪公主》“Ice Princess” 《麻辣宝贝》“Uptown Girls” 《美少女啦啦队》“Bring It On” 《舞出我人生》“Step up” 《录取通知书》“Accepted” 《美丽坏宝贝》“Pretty Persuasion” 《粉红豹》“The Pink Panther” 《风雨哈佛路》“Homeless to Harvard” 《超完美夺分》“The Perfect Score” 《阳光小美女》“Little Miss Sunshine” Action Movies & Adventures 《阿凡达》“Avatar” 《哈里波特》系列“Harry Porter” 《纳尼亚传奇》“Narnia ” 《指环王》“Lord of the Ring” 《上帝也疯狂》“The Gods Must Be Crazy” Indiana Jones系列 《夺宝奇兵Ⅰ——法柜奇兵》 《夺宝奇兵Ⅱ——魔宫传奇》 《夺宝奇兵Ⅲ——圣战奇兵》 《夺宝奇兵》“Raiders of the Lost Ark” 《金刚》“King Kong” 《第三类接触》“Close encounters of the third ki nd” 《木乃伊系列》“The Mummy” 《神奇四侠》系列“Fantastic Four” 《博物馆奇妙夜》“Night at the Museum” 《遗愿清单》“The Bucket List” 《国家宝藏》“National Treasure ” 推荐 《黑客帝国》“The Matrix” 《加勒比海盗》“Pirates of the Caribbean”《后天》“The day after tomorrow” 《一球成名》“Goal” 《十月的天空》“October Sky ”

Journey to the Center of the Earth(地心游记)2008经典电影英文影评

Journey to the Center of the Earth（地心游记）2008 There is a part of me that will always have affection for a movie like "Journey to the Center of the Earth." It is a small part and steadily shrinking, but once I put on the 3-D glasses and settled in my seat, it started perking up. This is a fairly bad movie, and yet at the same time maybe about as good as it could be. There may not be an 8-year-old alive who would not love it. If I had seen it when I was 8, I would have remembered it with deep affection for all these years, until I saw it again and realized how little I really knew at that age. You are already familiar with the premise, that there is another land inside of our globe. You are familiar because the Jules Verne novel has inspired more than a dozen movies and countless TV productions, including a series, and has been ripped off by such as Edgar Rice Burroughs, who called it Pellucidar, and imagined that the Earth was hollow and there was another world on the inside surface. (You didn't ask, but yes, I own a copy of Tarzan at the Earth's Core with the original dust jacket.) In this version, Brendan Fraser stars as a geologist named Trevor, who defends the memory of his late brother, Max, who believed the center of the Earth could be reached through "volcanic tubes." Max disappeared on a mysterious expedition, which, if it involved volcanic tubes, should have been no surprise to him. Now Trevor has been asked to spend some time with his nephew, Max's son, who is named Sean (Josh Hutcherson). What with one thing and another, wouldn't you know they find themselves in Iceland, and peering down a volcanic tube. They are joined in this enterprise by Hannah (Anita Briem), who they find living in Max's former research headquarters near the volcano he was investigating. Now begins a series of adventures, in which the operative principle is: No matter how frequently or how far they fall, they will land without injury. They fall very frequently, and very far. The first drop lands them at the bottom of a deep cave, from which they cannot possibly climb, but they remain remarkably optimistic: "There must be a way out of here!" Sure enough, they find an abandoned mine shaft and climb aboard three cars of its miniature railway for a scene that will make you swear the filmmakers must have seen "Indiana Jones and the Temple of Doom." Just like in that movie, they hurtle down the tracks at breakneck speeds; they're in three cars, on three more or less parallel tracks, leading you to wonder why three parallel tracks were constructed at great expense and bother, but just when such questions are forming, they have to (1) leap a chasm, (2) jump from one car to another, and (3) crash. It's a funny thing about that little railway: After all these years, it still has lamps hanging over the rails, and the electricity is still on. The problem of lighting an unlit world is solved in the next cave they enter, which is inhabited by cute little birds that glow in the dark. One of them makes friends with Sean, and leads them on to the big attraction -- a world bounded by a great interior sea. This world must be a terrible place to inhabit; it has man-eating and man-strangling plants, its waters harbor giant-fanged fish and fearsome sea snakes that eat them, and on the further shore is a Tyrannosaurus rex. So do the characters despair? Would you despair, if you were trapped miles below the surface in a cave and being chased by its hungry inhabitants? Of course not. There isn't a moment in the movie when anyone seems frightened, not even during a fall straight down for thousands of feet, during which they link hands like sky-divers and carry on a conversation. Trevor gets the ball rolling: "We're still falling!" I mentioned 3-D glasses earlier in the review. Yes, the movie is available in 3-D in "selected theaters." Select those theaters to avoid. With a few exceptions (such as the authentic IMAX process), 3-D remains underwhelming to me -- a distraction, a disappointment and more often than not offering a dingy picture. I guess setting your story inside the Earth is one way to explain why it always seems to need more lighting. The movie is being shown in 2-D in most theaters, and that's how I wish I had seen it. Since there's that part of me with a certain weakness for movies like this, it's possible I would have liked it more. It would have looked brighter and clearer, and the photography wouldn't have been cluttered up with all the leaping and gnashing of teeth. Then I could have appreciated the work of the plucky actors, who do a lot of things right in this movie, of which the most heroic is keeping a straight face. 1

五十九部精典电影对白全部英汉对照

《燃情岁月》Legend of the Fall 《美丽心灵》A Beautiful Mind 《早餐俱乐部》The Breakfast Club 《骄阳似我》Good Will Hunting 《几乎成名》Almost Famous （感兴趣摇滚乐的同学可以找来一看） 《日落之前》Before Sunset (a very smart movie,女主角的英语有点法国味儿) 《阿甘正传》Forrest Gump (发音就别从这里学了) 《我的盛大希腊婚礼》My Big Fat Greek Wedding (很有意思的文化冲突) 《大河恋》A River Runs Through it 《西雅图不眠夜》Sleepless in Seattle 《后妈》（又名《亲亲小妈》）Step Mother 《谈谈情跳跳舞》Shall We Dance 《似是故人来》Sommersby （美国南方口音，了解一下，关键是故事很感人，呵呵） 《当哈里遇见萨莉》When Harry Met Sally 《漂亮女人》Pretty Women 《爱情十日谈》How to Lose a Guy in Ten Days 《爱是妥协》Something's Gotta Give 《天使之城》City of Angel 《时尚女魔头》The Devil Wears Prada 《公主新娘》The Princess Bride 《卡萨布兰卡》Casablanca 《魂断蓝桥》Waterloo Bridge 语言相对较简单：《南极大冒险》Eight Below 《小鬼当家》Home Alone 《公主日记》The Princess Diaries 动画片： 《海底总动员》Finding Nemo 《鲨鱼黑帮》Shark Tale 《怪物史莱克》Shrek 《花木兰》Mulan 《美女与野兽》Beauty and Beast 《冰河世纪》Ice age 《熊的传说》Brother Bear 连续剧： Friends Gilmore girls(我的最爱，哈哈，中译：《吉尔摩女孩》，语速较快，文化背景较深。适合听力口语水平较高，同时对西方文化较了解的同学观看。) the Apprentice 英式发音： 《真爱至上》love actually 《傲慢与偏见》新版Pride and Prejudice 《BJ单身日记》 《英国病人》English Patient 《面纱》The Painted V eil 励志(学习男主人公永不放弃的精神)： 《肖申克的救赎》Shawshank Redemption 《当幸福来敲门》The Pursuit of Happiness <中青网> 美国电影学会于近日评选出了美国电影中的一百句最佳台词，《乱世佳人》的克拉克-盖博口中的“坦白说，亲爱的，我一点也不在乎”荣膺榜首。 评选结果的影片涵盖面十分广泛，最早的可以追溯到1927年的第一步有声片《爵士歌手》，最近的则是2002年的《指环王之双塔骑兵》。其中《乱世佳人》、《卡萨布兰卡》、《绿野仙踪》等经典老片在榜上占据了不止一席之位，而《卡萨布兰卡》凭借6句经典台词居首位。 美国电影学会总监费斯登堡认为，这些经典的电影台词已经成为了美国语言文化的一个组成部分，评选的目的是为了重新激起人们对美国经典电影的热情。以下是从这一百句最佳台词中精选部分台词，英汉对照，以飨读者。（以下的序号是台词的排名号） 1. Frankly，my dear，I don't give a damn.坦白说，亲爱的，我一点也不在乎。（《乱世佳人》1939） 2. I'm going to make him an offer he can't refuse.我会给他点好处，他无法拒绝。（《教父》1972） 3. Y ou don't understand！Icoulda had class.I coulda been a contender.I could've been somebody，instead of a bum，which is what I am.你根本不能明白！我本可以获得社会地位，我本可以是个竞争者，我本可以是任何有头有脸的人而不是一个毫无价值的游民！（《码头风云》1954） 4. Toto，I've got a feeling we're not in Kansas anymore.托托，我想我们再也回不去堪萨斯了。（《绿野仙踪》1939） 5. Here's looking at you，kid.就看你的了，孩子。（《卡萨布兰卡》1942） 6. Go ahead，make my day.来吧，让我也高兴高兴。（《拨云见日》1983） 7. All right，Mr.DeMille，I'm ready for my close－up.好了，德米勒先生，我已经准备好拍摄我的特写镜头了。（《日落大道》1950）

Seven(七宗罪)1995经典电影英文影评

Seven(七宗罪)1995 David Fincher's classic tale of inventive serial killing and urban degredation, with Brad Pitt and Morgan Freeman on excellent form Who'd have thought? An absurd-sounding tale of a serial killer basing his crimes around the seven deadly sins, directed by the man behind the mess that was Alien3, turning out to be one of the most chilling and original thrillers of the 1990s. From the outset, through the film's brilliantly designed deliberate under-lighting - we see very little blood and guts - and muffled sound, the audience is encouraged to lean towards the screen, immerse itself in the film's unbearably grim world. Pitt is in career-making form as Mills, a simple cop moving with his sweet young wife (Paltrow) to a grim, anonymous city, determined to make a difference, to do some good. He is assigned to track down a vengeful killer, and works alongside Somerset (Freeman), a jaded, wise policeman on the verge of retirement. The two are that modern movie cliché -the mismatched pair thrown together by circumstance, who gradually learn mutual respect. But Fincher and Walker take these hackneyed ingredients, play with them in the context of a brilliantly cohesive plot, and present something consistently fresh - the police finding themselves with too much evidence, the premature unmasking of the killer - and very, very dark. 1

经典英文电影台词100句

经典英文电影台词100句 美国电影学会于近日评选出了美国电影中的一百句最佳台词，《乱世佳人》的克拉克·盖博口中的“坦白说，亲爱的，我一点也不在乎”荣膺榜首。评选结果的影片涵盖面十分广泛，最早的可以追溯到1927 年的第一步有声片《爵士歌手》，最近的则是2002年的《指环王之双塔骑兵》。其中《乱世佳人》、《卡萨布兰卡》、《绿野仙踪》等经典老片在榜上占据了不止一席之位，而《卡萨布兰卡》凭借6句经典台词居首位。美国电影学会总监费斯登堡认为，这些经典的电影台词已经成为了美国语言文化的一个组成部分，评选的目的是为了重新激起人们对美国经典电影的热情。 1，Frankly，my dear，I don＇t give a damn. 坦白说，亲爱的，我一点也不在乎。（《乱世佳人》1939） 2，I＇m going to make him an offer he can＇t refuse. 我会给他点好处，他无法拒绝。（《教父》1972） 3，You don＇t understand！Icoulda had class.I coulda been a contender.I could＇ve been somebody，instead of a bum，which is what I am. 你根本不能明白！我本可以获得社会地位，我本可以是个竞争者，我本可以是任何有头有脸的人而不是一个毫无价值的游民！（《码头风云》1954） 4，Toto，I＇ve got a feeling we＇re not in Kansas anymore. 托托，我想我们再也回不去堪萨斯了。（《绿野仙踪》1939） 5，Here＇s looking at you，kid. 就看你的了，孩子。（《卡萨布兰卡》1942） 6，Go ahead，make my day. 来吧，让我也高兴高兴。（《拨云见日》1983） 7，All right，Mr.DeMille，I＇m ready for my close－up. 好了，德米勒先生，我已经准备好拍摄我的特写镜头了。（《日落大道》1950） 8，May the Force be with you. 愿原力与你同在。（《星球大战》1977） 9，Fasten your seatbelts. It＇s going to be a bumpy night. 系紧你的安全带，这将是一个颠簸的夜晚。（《彗星美人》1950）

一百部最经典电影英文全称

1. 9.0 The Godfather (1972) 117,111 教父 2. 8.9 The Shawshank Redemption (1994) 143,145 肖申克的救赎/刺激1995/月黑风高 3. 8.9 The Lord of the Rings: The Return of the King (2003) 96,833 指环王III/魔戒III：王者归来 4. 8.8 The Godfather: Part II (1974) 68,829教父II 5. 8.8 Shichinin no samurai (1954) 30,139 七武士 6. 8.7 Casablanca (1942) 64,227 卡萨布兰卡/北非谍影 7. 8.7 Schindler's List (1993) 94,598 辛德勒名单/舒特拉的名单 8. 8.7 The Lord of the Rings: The Fellowship of the Ring (2001) 152,097 指环王I/魔戒I：魔戒现身 9. 8.7 Star Wars (1977) 130,346 星球大战 10. 8.7 Citizen Kane (1941) 59,486 公民凯恩/大国民 11. 8.7 The Lord of the Rings: The Two Towers (2002) 109,535 指环王II/魔戒II：双城奇谋/双塔 12. 8.7 One Flew Over the Cuckoo's Nest (1975) 67,852 飞越疯人院/飞越杜鹃窝 13. 8.7 Pulp Fiction (1994) 126,620 低俗小说/黑色追缉令/危险人物 14. 8.6 Star Wars: Episode V - The Empire Strikes Back (1980) 100,480 帝国反击战/帝国大反击 15. 8.6 Rear Window (1954) 40,258 后窗 16. 8.6 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) 61,821 奇爱博士/密码114 17. 8.6 The Usual Suspects (1995) 100,503 嫌疑惯犯/非常嫌疑犯/普通嫌疑犯/刺激惊爆点 18. 8.6 Raiders of the Lost Ark (1981) 90,975 夺宝奇兵/法柜奇兵 19. 8.6 Buono, il brutto, il cattivo, Il (1966) 28,758 独行侠决战地狱门/好人、坏人和小丑/黄昏三镖客/地狱大决斗 20. 8.6 Cidade de Deus (2002) 22,998 无主之城 21. 8.6 12 Angry Men (1957) 28,571 十二怒汉 22. 8.6 Memento (2000) 87,022 记忆拼图/失忆/纪念品 23. 8.5 Psycho (1960) 51,959 惊魂记/精神病患者/触目惊心 24. 8.5 North by Northwest (1959) 35,239 西北偏北/谍影疑云/谍影风云/夺魄惊魂 25. 8.5 Lawrence of Arabia (1962) 30,812 阿拉伯的劳伦斯/沙漠枭雄 26. 8.5 Fabuleux destin d'Amélie Poulain, Le (2001) 56,480 天使爱美丽/艾蜜莉的异想世界 27. 8.5 C'era una volta il West (1968) 15,910 狂沙十万里/西部往事/万里狂沙万里愁 28. 8.5 The Silence of the Lambs (1991) 89,241 沉默的羔羊 29. 8.5 Goodfellas (1990) 64,892 盗亦有道/好家伙 30. 8.5 It's a Wonderful Life (1946) 40,882 风云人物/奇妙的生活/莫负少年头 31. 8.5 Sunset Blvd. (1950) 15,328 日落大道 32. 8.5 American Beauty (1999) 106,426 美国美人/美国心/玫瑰情/美丽有罪 33. 8.4 Eternal Sunshine of the Spotless Mind (2004) 40,385暖暖内含光/无痛失恋/美丽心灵的永恒阳光 34. 8.4 The Matrix (1999) 137,983黑客帝国/二十二世纪杀人网络/骇客任务 35. 8.4 Apocalypse Now (1979) 62,012 现代启示录 36. 8.4 Vertigo (1958) 33,550 迷魂记/眩晕 37. 8.4 Fight Club (1999) 106,949 搏击俱乐部/搏击会/斗阵俱乐部 38. 8.4 Paths of Glory (1957) 13,690 光荣之路/光辉的历程/突击 39. 8.4 The Third Man (1949) 17,662 第三者/黑狱亡魂 40. 8.4 To Kill a Mockingbird (1962) 29,935 杀死一只知更鸟/梅岗城的故事/怪屋疑云 41. 8.4 Sen to Chihiro no kamikakushi (2001) 22,278 千与千寻/神隐少女 42. 8.4 Singin' in the Rain (1952) 19,650 雨中曲/万花嬉春

Tess(苔丝)1979经典电影英文影评

Tess(苔丝)1979 Thomas Hardy's Tess of the D'Urbervilles, which Roman Polanski has turned into a lovely, lyrical, unexpectedly delicate movie, might at first seem to be the wrong project for Mr. Polanski in every way. As a new biography of the director reports, when Tess was shown at the Cannes Film Festival, the press pointed nastily and repeatedly to the coincidence of Mr. Polanski's having made a film about a young girl's seduction by an older man, while he himself faced criminal charges for a similar offense. This would certainly seem to cast a pall over the project. So would the fact that Hardy's novel is so very deeply rooted in English landscapes, geographical and sociological, while Mr. Polanski was brought up in Poland. Finally, Tess of the D'Urbervilles is so quintessentially Victorian a story that a believable version might seem well out of any contemporary director's reach. But if an elegant, plausible, affecting Tess sounds like more than might have been expected of Mr. Polanski, let's just say he has achieved the impossible. In fact, in the process of adapting his style to suit such a sweeping and vivid novel, he has achieved something very unlike his other work. Without Mr. Polanski's name in the credits, this lush and scenic Tess could even be mistaken for the work of David Lean. In a preface to the later editions of Tess of the D'Urbervilles, Mr. Hardy described the work as "an impression, not an argument." Mr. Polanski has taken a similar approach, removing the sting from both the story's morality and its melodrama. Tess Durbeyfield, the hearty country lass whose downfall begins when her father learns he had noble forebears, is sent to charm her rich D'Urberville relations. She learns that they aren't D'Urbervilles after all; instead, they have used their new money to purchase an old name. Tess charms them anyhow, so much that Alec D'Urberville, her imposter cousin, seduces and impregnates her. The seduction, like many of the film's key scenes, is presented in a manner both earthy and discreet. In this case, the action is set in a forest, where a gentle mist arises from the ground and envelops Tess just around the time when she is enveloped by Alec. Alec, as played by Leigh Lawson, is a slightly wooden character, unlike Angel Clare, Tess's later and truer lover, played with supreme radiance by Peter Firth. Long after Tess has borne and buried her illegitimate child, she finds and falls in love with this spirited soul mate. But when she marries Angel Clare and is at last ready to reveal the secret of her past, the story begins hurtling toward its final tragedy. When Tess becomes a murderer, the film offers its one distinctly Polanski-like moment—but even that scene has its fidelity to the novel. A housemaid listening at a door hears a "drip, drip, drip" sound, according to Hardy. Mr. Polanski has simply interpreted this with a typically mischievous flourish. Of all the unlikely strong points of Tess, which opens today for a weeklong engagement at the Baronet and which will reopen next year, the unlikeliest is Nastassja Kinski, who plays the title role. Miss Kinski powerfully resembles the young Ingrid Bergman, and she is altogether ravishing. But she's an odd choice for Tess: not quite vigorous enough, and maybe even too beautiful. She's an actress who can lose her magnetism and mystery if she's given a great deal to do (that was the case in an earlier film called Stay As You Are). But here, Mr. Polanski makes perfect use of her. Instead of a driving force, she becomes an echo of the land and the society around her, more passive than Hardy's Tess but linked just as unmistakably with natural forces. Miss Kinski's Tess has no inner life to speak of. But Mr. Polanski makes her surroundings so expressive that her placidity and reserve work very beautifully. Even at its nearly three-hour running time, Mr. Polanski's Tess cannot hope for anything approaching the range of the novel. But the deletions have been made wisely, and though the story loses some of its resonance it maintains its momentum. There are episodes—like one involving Tess's shabby boots and Mercy Chant, the more respectable girl who expects to marry Angel—that don't make the sense they should, and the action is fragmented at times. That's a small price to pay for the movie's essential rightness, for its congruence with the mood and manner of the novel. Mr. Polanski had to go to Normandy and rebuild Stonehenge to stage his last scene, according to this same biography. As is the case throughout his Tess, the results were worth the trouble. 1